Lines That Became Light

Spring Garden is the hospitality heart of the RHS Chelsea Flower Show, a serene, design-led space where guests pause to dine, gather, and experience the show from a place of calm. Each year begins with an empty space, transformed from the ground up into an immersive culinary oasis that celebrates the season’s beauty, refined, alive, and full of light.

This year, Veevers Carter collaborated with Alison Price and Event Concept to bring the latest vision of Spring Garden to life, a poetic blend of architecture and atmosphere designed to embody the quiet elegance of spring. Together, we set out to create a space that felt not constructed, but grown.

When Spring Garden at RHS Chelsea Flower Show finally opened, it didn’t feel built, it felt discovered. Visitors stepped inside and slowed down.

On paper, the design existed in perfect stillness; every proportion measured, every curve imagined. fine, deliberate lines sketched with intention.
But gardens have a way of growing beyond the page.

As the build began, the geometry found its freedom. Structure became movement, detail became feeling. The delicate lines of design turned into something living, responsive to light, air, and time.

The entrance was imagined as a threshold, a quiet invitation into another world. Textured walls framed soft cornflower blue doors beneath a romantic balcony, while oversized pots flanked the path, overflowing with foliage that crept and curled toward the light. Along the ramp, planted troughs created rhythm and symmetry, drawing guests upward with a sense of balance and grace.

Beyond the doorway, a courtyard unfolded, part garden, part street, inspired by the faded charm of Europe. Pale shutters and washed wooden doors were softened with cascading geraniums, jasmine, and flowering vines in tones of pink, blue, purple and peach. Light fell across pale stone and terracotta, catching on leaves and textured surfaces. A bicycle rested against a wall, its wicker basket spilling with greenery - a simple, human detail within the stillness.

Every material, colour, and curve was chosen to evoke ease, to build atmosphere rather than spectacle. Together, the architectural lines and living forms created a space that felt both designed and found; precise, yet full of life.

By the time the doors opened, the drawing had vanished - absorbed into air, movement, and scent.
What was once measured had become free.
What began as line had become light.

At Veevers Carter, this is the heart of our work, to turn design into feeling, to find life in the space between structure and softness, and to create moments that don’t just decorate the world, but slow it down.

Discover more about Veevers Carter installations here.